Prvo mesto Novosadjaninu Pavlu Krsticu

"[...] is another boy from the pleiad of our most gifted musicians, who performs even the most demanding works with ease, composure, and high level of preparation. "His" Bach (Three-part Invention in A Minor) is earnestly though out, with completed ornaments, gradually dynamically graded, clear and logically rounded up, Mozart (first movement of the Sonata in C Major, K 330) stylistically pure and the sound "clicking", brilliant, Chopin (Fantasie-Impromptu in C-sharp Minor) singing and dense, Liszt (Etude op. 1, A Minor) dashing, pearly and virtuous, Isidora Zebeljan ("Shadows"), "clear" in each contrapuntal line and melodic interweaving and crossing, sonorous in chords and "deadly" in the rhythmically repeated toccata-strikes, Rachmaninoff (Musical moment in E Minor, op. 16) exciting and convincing for this age [...]"

 

Original:

"[...] još jedan je dečak iz plejade naših najdarovitijih muzičara, koji s lakoćom, smirenošću i visokom pripremljenošću izvodi i najzahtevnija dela, „rešava“ najteže tehničke i interpretativne zadatke. "Njegov" Bah (Troglasna invencija u a-molu) je ozbiljno osmišljen, dovršenih ukrasa, postupno dinamički gradiran, „razgovetan“ i logično zaokružen, Mocart (prvi stav Sonate u Ce-duru, K 330) stilski „čist“ i tonski kliktav, sjajan, Šopen (Fantazija emprompti u cis-molu) kantabilan i bujan, ali i decentan, List (Etida op.1, a-mol) poletan, perlast i virtuozan, Isidora Žebeljan („Senke“) „jasna“ u svakoj kontrapunktskoj liniji i melodijskom preplitanjui i ukrštanju, zvonka u akordici i "ubojita" u ritmizovano ponavljanim tokatnim udarima, Rahmanjinov (Muzički momenat u e-molu, op.16) uzbudljiv i uverljiv za taj uzrast [...]"

 

— Marija Adamov, Dnevnik Novi Sad