Pavle Krstic
Pianist
Acclaim
Prvo mesto Novosadjaninu Pavlu Krsticu

„another boy from the pleiad of our most gifted musicians, who performs even the most demanding works with ease, composure, and high level of preparation. „His“ Bach (Three-part Invention in A Minor) is earnestly though out, with completed ornaments, gradually dynamically graded, clear and logically rounded up, Mozart (first movement of the Sonata in C Major, K 330) stylistically pure and the sound “clicking”, brilliant, Chopin (Fantasie-Impromptu in C-sharp Minor) singing and dense, Liszt (Etude op. 1, A Minor) dashing, pearly and virtuous, Isidora Zebeljan (“Shadows”), “clear” in each contrapuntal line and melodic interweaving and crossing, sonorous in chords and “deadly” in the rhythmically repeated toccata-strikes, Rachmaninoff (Musical moment in E Minor, op. 16) exciting and convincing for this age.”

 

Original

 "...još jedan je dečak iz plejade naših najdarovitijih muzičara, koji s lakoćom, smirenošću i visokom pripremljenošću izvodi i najzahtevnija dela, „rešava“ najteže tehničke i interpretativne zadatke. „Njegov“ Bah (Troglasna invencija u a-molu) je ozbiljno osmišljen, dovršenih ukrasa, postupno dinamički gradiran, „razgovetan“ i logično zaokružen, Mocart (prvi stav Sonate u Ce-duru, K 330) stilski „čist“ i tonski kliktav, sjajan, Šopen (Fantazija emprompti u cis-molu) kantabilan i bujan, ali i decentan, List (Etida op.1, a-mol) poletan, perlast i virtuozan, Isidora Žebeljan („Senke“) „jasna“ u svakoj kontrapunktskoj liniji i melodijskom preplitanjui i ukrštanju, zvonka u akordici i „ubojita“ u ritmizovano ponavljanim tokatnim udarima, Rahmanjinov (Muzički momenat u e-molu, op.16) uzbudljiv i uverljiv za taj uzrast..."

Marija Adamov, Dnevnik Novi Sad
Back to List
Back to Top